Synchromatics. We've all heard of them, and know vaguely they mean something in the world of Gretsch.
But we haven't all seen or heard them in person.
And they're VERY important to Gretsch, not only as models in their own right, but as links in the chain that led to the archtop electrics of the 50s.
The classic catseye-soundhole Synchromatic archtop first appeared in ... Trivia Alert no, hey, you tell ME what year, and get a new Gretsch beer mug for your trouble.
Fast forward to the 2000-aughts, when two guitars in the line pay homage to the original, and keep keep the spirit of beat-me-daddy-4-to-the-bar jazz-spankin' rhythm alive.
Both are spruce-topped maple-bodied 17" jazzers. The G400 carries a script-logoed conventional Gretsch headstock and has laminated back & sides. The upscale G400JV Jimmie Vaughn sig model features all solid-wood construction, lacquer, a pickup under the bridge, hidden controls, and an exquisite lightbulb headstock.
Now, neither of these examples is set up optimally. The strings are lighter than most jazzers would choose, with a plain 3rd, and I didn't pay much attention to bridge height or action.
I just picked them up during a quiet(er) moment, perched the recorder about 8" away, and chopped away.
Synchromatic G400.
Synchromatic G400JV.
First two pics of the 400, then several of the 400JV. Really pretty guitars!