Gretsch guitars: 6192 Country Club

Gretsch 
6192 Country Club

The Country Club was in many ways Gretsch's most traditional guitar. Although they are not as avidly sought as White Falcons and 6120s, they are also among the company's best.

Among Gretsch's first commercially successful electrics, the Country Clubs were directly descended from the 6030 and 6031 of the Synchromatic line, which were in turn directly descended from the pre-war "cat-eye" Synchromatic 300.

In other words, the 6192 and 6193 Clubs were 17-inch pedigreed jazz boxes when they were introduced in 1951. They were the largest Gretsch electric models, other than the White Falcon, and the only guitars in the line other than the Falcon to use a spruce top, although spruce is rarely found after '55. Clubs were never offered with a stock Bigsby whammy bar, although one was available as an extra cost option some years.

Until late 1954, when the entire range of guitars was revamped, Gretsch used small plastic knobs on the few Country Clubs made. These early Country Clubs are usually known as Electro II's, and evidence suggests Gretsch was inconsistent naming them.

The 1955 model year was a major turning point for Gretsch across the guitar range, and in the Country Club line it was the first for the Cadillac Green 6196 and the earlier Synchromatic-style tailpiece was phased out about this time in favor of the common G-cutout style. Some 6196s have appeared in two-tone gray and other colors, suggesting 6196 was originally a custom paint code before Cadillac Green was established as a standard color.

Starting in 1958 FilterTron pickups replaced DeArmonds, along with other changes corresponding with the rest of the Gretsch range, including the addition of the tone switch in place of the previous knob. Stereo models were also offered, under model numbers 6101, '02 and '03, but they were never popular. The earliest, '58 and '59 stereo models are easily identified by their close-spaced pickups.

The "zero fret" became standard in 1960, and the body was thinned to about 1 7/8 inches in 1961, about the same time the stereo wiring was simplified and the pickups moved back to the normal positions.

The Clubs never went to the double-cutaway Electrotone body, and the thinner body was a relatively short-lived experiment in the line. By 1964 they had plumped back up to 2 3/4 inches. Even though the body remained a single-cutaway, the Clubs did receive the Gretsch padded-back treatment, along with a standby switch and string mutes. These other additions were also short-lived and long gone by 1964 or '65.

Cadillac Green was phased out in 1968, and Baldwin-era changes began. By 1972, the 7576 and 7577 designations had begun, and the Club soldiered on, selling in small numbers, until the factory shutdown in 1981. It was far and away Gretsch's longest lasting model.

See Also:

Comments

  1. DanO wrote:
    I have a 2006 6192---Love it. Only change I made was to install a bar bridge and eliminate the Melita. Looks, sounds great!

    Mar 27, 2007 6:57 p.m.

  2. TM1 wrote:
    I have a `63 that's unbelievable. It's one of the most resonet guitars I've ever owned over that last 43 years. Plays like a wet dream and sounds amazing. I can't believe more people aren't hip to these...

    Apr 10, 2008 12:45 p.m.

  3. sjstultz wrote:
    What strings are recomended for the guitar for Jazz/Blues?

    Apr 28, 2008 10:43 a.m.

User Ratings:

Overall rating:
4 (out of 5), 3 ratings
Playability rating:
4 (out of 5), 3 ratings
Collectibility rating:
3 (out of 5), 3 ratings

Basic Country Club specs:

Top Material
Spruce
Side and Back Material
Maple
Scale
25½"
Binding
White/black/white on body, neck and headstock

1954:

By 1954, the Country Club had shaken off it's Synchromatic roots. The headstock now featured the familiar "T-roof" Gretsch logo, the bridge and tailpiece were Melita and G-cutout, respectively, and control knobs were plain metal or the arrow-only style. The 1954 Country Club also moved the truss rod adjustment to the headstock end and has a small headstock cover for that purpose.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1955:

1955 was a big year for other Gretsch models, but for the 6192 the changes were strictly evolutionary. A gold Lucite plastic pickguard replaced the bound tortoiseshell 'guard seen previously, spruce tops were gone and a larger truss rod cover replaced the small 1954 piece.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Rosewood
Fretboard Markers
Block
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Melita
Tailpiece
G-Cutout
Pickguard
Gold Lucite plastic

1957:

Humped block markers made a one year appearance (as on other Gretsches), and G and arrow knobs begin to appear.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1958:

As with much of the Gretsch line-up, 1958 ushered in FilterTron pickups, a tone switch, a space control bridge and Neo-Classic fret markers. Country Clubs also got an ebony fingerboard, and the 6101, 6102 and 6103 stereo Country Club guitars were added.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1960:

The Zero Fret, which had appeared intermittently in 1959, was standardized on the Country Club.

Body Width
17"
Body Depth
3½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1961:

Thin, 1 7/8" body used on all Country Clubs

Body Width
17"
Body Depth
1 7/8"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1962:

While other Gretsch guitars switched to the ElectroTone body, Country Clubs simply added a padded back and standby switch and single mute to their classic – albeit slimmed-down – form. Note that the earliest mutes dial up, while later ones flip up, using a simpler knob.

Body Width
17"
Body Depth
1 7/8"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Tailpiece

1964:

The Country Club's brief flirtation with the Twiggy look ended in '64, as the body thickness went back up to 2¾" midyear. Grover "kidney button" tuners replaced the Imperials, and both the padded back and string mute were dropped.

Body Width
17"
Body Depth
2¾"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
Bridge
Tailpiece

1971:

Baldwin-era pickguards begins to appear on the 6192, along with Adjustamatic bridges. For 1972, the classic 6192 would be gone, replaced by the 7575 Country Club.

Body Width
17"
Body Depth
2¾"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunburst
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece
Pickguard
Angular Baldwin style