Gretsch guitars: 6121 Chet Atkins Solidbody

Gretsch 
6121 Chet Atkins Solidbody
<p>&quot;Roundup&quot; has always referred more to a style than any one guitar. Originally there were the very similar 6121 and 6130 models and later there have been several &quot;cowboy jet&quot; models, all of which have been called Roundups at one time or another. </p> <p>But to start at the beginning, The Gretsch 6121 Chet Atkins Solidbody debuted in late 1954 alongside the similarly styled 6130 Roundup and the hollowbody 6120. Both the 6121 and the 6130 were aimed at pickers wanting something a little more western than the 6120. </p> <p>Both solidbodies sported the usual western appointments — G brand, steer's head on the headstock, cactus inlays — plus recessed leather binding engraved with campfire scenes. </p> <p>The 6121 differed from the 6130 in a number of small ways, but the most noticeable was its Bigsby tailpiece and maple top where the Roundup usually had a &quot;belt buckle&quot; tailpiece and knotty pine top. 6130 </p> <p>Very early Roundups, like very early Jets, used a less-rounded pickguard. </p> <p>The original Roundup only lasted until 1958, while the 6121 survived up to 1962, with the biggest change along the way being a switch from DeArmond pickups to FilterTrons in 1959. </p> <p>Many of its features were revived for the Country Roc model in the '70s. </p>

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Comments

  1. THUMBO wrote:
    It's awfully difficult to give an unbiased, fair rating of a Gretsch guitar -- any Gretsch guitar -- when they're all something one is so passionate about! (Even the ones that are sooo ugly only their mum could love 'em!)

    Jan 3, 2007 7:54 a.m.

  2. PopeyeMJK wrote:
    Like "The Fonz" these guitars bring to mind a certain type of "cool". But what happens around a decade later is you'll have a whole new idea of "cool", right? And the things that WERE "cool" become "nerdy". But guess what happens 10 years after that! Can ya guess? All of a sudden things that were "cool" 20 YEARS BEFORE are now "cool" again... and "vintage" and "retro" and other "cool" terms! I always maintained that if something has personality it automatically is "cool". And the 6121 and 6130 Roundups ALWAYS had personality! And a lil' thing called "Charisma" too! Enjoy these guitars! Play em' hard like Conway Twitty or Brian Setzer has/does! Mr. Guitar never would admit it but don't you think he HAD to love his?! He just hated being considered a "cowboy" in those days I'm thinkin'! I think he'd be a total fool not to love these works of art. Great quality! Great design like no other guitar maker has EVER done! My opinion.... Conway Twitty's leather jacketed clad (think Elvis' Martin D-28) Roundup 6130 sold at auction 3 years ago for 35k to a middle class, working class, session player! Now that's sayin' something! hahahaa! Good man! Says a lot! They are ALWAYS a head turner! Who cares why! Just shet'up and play yer' geeeetar brother! God bless ya'll! HeeHaw! Popeye

    Feb 21, 2008 6:37 p.m.

User Ratings:

Overall rating:
5 (out of 5), 2 ratings
Playability rating:
4 (out of 5), 2 ratings
Collectibility rating:
5 (out of 5), 2 ratings

Basic Chet Atkins Solidbody specs:

Top Material
Maple
Side and Back Material
Mahogany
Scale
24&frac12;"
Binding
White on neck and headstock, black and white on body. Tooled, studded leather on outer edge

1954:

The Gretsch 6121 solidbody debuted in late 1954 alongside the similarly styled 6130 Roundup and the hollowbody 6120. The 6121 differed from the 6130 in a number of small ways, but the most noticeable was its Bigsby tailpiece and maple top where the Roundup usually had a "belt buckle" tailpiece and knotty pine top. A jeweled and tooled leather strap offered was an option.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece
Pickguard
Gold, with Gretsch and Chet Atkins signpost in black

1956:

For 1956, the 6121's Bigsby got a pivoting arm, and the western appointments began to disappear. The block markers were unengraved, a simple horseshoe began to replace the steer's head on the headstock, and the leather cowboy binding rode into the sunset. Like the Jets, the 1956 6121 began using a larger truss rod cover.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1957:

Cowboy kitsch disappeared almost completely from the 6121 in 1957, with the removal of the G Brand from the top. As with most 1957 Gretsch guitars, Humped block markers made a one year appearance, and G and arrow embossing begins to appear on the control knobs.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1958:

The 6121 made the transition to 1958-style, while the 6130 headed for the Last Roundup. Changes to the 6121 included FilterTron pickups, an ebony fretboard, a bar bridge and Neo-Classic fret markers.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1959:

Zero fret added. Brass nut dropped.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1960:

First year for V-cutout Bigsby B-3

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1961:

Final year for vintage 6121 Chet Atkins Solidbody.

Body Width
13&frac12;"
Body Depth
1&frac34;"
Body Style
Single Cutaway Solidbody
Top Colors
  • Sunset Orange
Side and Back Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece