Gretsch guitars: 6122 Country Gentleman

Gretsch 
6122 Country Gentleman
<p>The 6122 Country Gentleman is considered by many to be one of the holy trinity of Gretsch guitars, along with the 6120 and White Falcon. Although it lacks the cowboy cool of a G-branded 6120 or the dazzle of the Falcon, it has an elegance (and some would say playability) the others lack. The fact that George Harrison played one doesn't hurt, either. </p> <p>The Gentleman debuted in mid-1957 &mdash; after considerable input from Chet Atkins &mdash; and was placed between the 6120 and Falcon in price. Originally it had a 17-inch single cutaway body that measured about 2 &frac14;&quot; thick, with fake f-holes inlaid into the mahogany-finished maple top. The closed body was a concession to Atkins, who was constantly hounding Gretsch to produce a semi-hollow guitar with a solid block through the center, like Gibson's ES-335. Like Les Paul, Atkins wanted more sustain and less feedback. Atkins never did get the solid block of wood down the center, but Gents do have a partial block. Some early '60s Gents also appear with real f-holes, though. </p> <p>In late 1960 the body, like many Gretsches, was trimmed down to about 2&quot; thick, but the next major change came in '62, when the Gent adopted Gretsch's new &quot;Electrotone&quot; double cutaway body. The '62 and '63 models were identical, and it was one of these that Harrison made famous. After '63, Gents changed again, gaining a &quot;Country Gentleman&quot; logo on the pickguard, a SuperTron pickup instead of a FilterTron by the neck, and different tuners, among other changes. </p> <p>The SuperTron was dropped in '67, rosewood replaced ebony on the fingerboard sometime in the late '60s and Gretsch, under Baldwin control, beginning dropping features to keep costs down. </p> <p>In 1970 the ebony fingerboard re-appeared, but the Gent was obviously a Baldwin creation by this time, with its oddly shaped pickguard, and in the early '70s the model was re-designated 7670. </p> <p>Atkins owned the rights to the &quot;Country Gentleman&quot; name, and in 1978 he jumped ship to Gibson, taking the name with him. Gretsch renamed it Country Squire and soldiered on briefly, before changing the name again to &quot;Southern Belle&quot;. </p> <p>The 7670 Southern Belle model makes an interesting side note to the Country Gentleman legend: As Gretsch foundered under Baldwin's ownership, production was eventually moved to Mexico, where at least one Gent was reportedly made. </p> <p>By some reports, production moved to Mexico in 1978 or '79, but according to others no guitars came out of Mexico until the early 80s, possibly as late as 1984 or '85. Either way, Chet Atkins had left Gretsch, so the Gents were offered as the Southern Belle model. </p> <p>According to Gretsch mainstay Duke Kramer, only about 100 Southern Belle/Country Gents were made, all in Mexico. The guitars that were made are beautiful examples and are at least up to the standard of the Arkansas-made guitars. The business and distribution side had simply become too chaotic for them to be successful. </p>

See Also:

Comments

  1. wayno68 wrote:
    i have a 1967 cg and i think its the best sounging guitar ive ever played

    Dec 13, 2006 11:26 a.m.

  2. tater wrote:
    I need a resource that can help me with tracing the serial number on my CG, so I can determine year of manufacture. Anyone? Also, I should note that the CG has TONE that makes a Strat look sick.

    Dec 24, 2006 4:23 p.m.

  3. Admin wrote:
    <a href="http://gretschpages.com/serial-numbers/">Gretsch guitar serial number info</a>

    Jan 4, 2007 4:07 p.m.

  4. Tommy wrote:
    Hi My name is Tommy. I'm restoring my 1962 G6122 Gretsch Chet Atkins Country Gentleman. I took about 160 digital pictures of it since I started the project and been working on it over three years now. { Off & ON ] I'll think I'll write a book on it too- When I'm done with it. ). But Anyways! I need a electric schematic for it. I've tried on the internet using search engines but striking out. I'm temporarily connecting the 2 filtertron pick-ups, 3 toggle switches, and 3 volume controls. Some of the connections came loose,[ My Fault too! ] so I'm figuring out what works and what doesn't. I'm soldering,testing, inpecting, and playing it with each function as I go along. So! Far! So! Good! I have all new hardware for it too. Everything is working good, except the stand-by switch. It only works when I turn it on in one position. When straight up [ Middle Position } it shuts the guitar off. Also! When I switch it to the right, the guitar will go-on. This is correct! The other position doesn't switch the guitar on though. I've been playing with it for 3 days now. I know how to read a schematic too. If someone has a schematic or knows where to get one, please notify me ASAP. It's greatly apprciated. I can't go on with the project until everything works perfectly with my amp. The article on March 2007 this year by proteous was excellent. I read it and it was a big help on what the switches did,etc. and how to test them. Thanks for your help out there. Tommy

    Jul 10, 2007 8:14 p.m.

  5. gitfiddlegary wrote:
    The neck is perfect for my hand, my '64 is still being played regulary. Collectable? wouldn't sell it for under $5,000.

    Aug 2, 2007 11:09 p.m.

  6. CheshireGentleman wrote:
    Have had my CC for almost 12 months now I imported it from Texas to the UK and its one of the best things I have ever done as its always been a dream to own one even though I'm a lousey guitarist I get a kick every time I play it {always on my own I'm that bad }but i strum my few chords and pick out odd little melodies and i get a real kick

    Sep 13, 2007 10:16 a.m.

  7. CheshireGentleman wrote:
    Can somebody tell me how to get my name at the top to say I wrote? By the way the guitar is a CG not a CC

    Sep 14, 2007 1:12 p.m.

  8. haroldhill wrote:
    I never thought I'd be able to afford one of these beauties, which I have always considered to be "the holy grail" of guitars, but the sale of an old Stratocaster I'd been carting around for years afforded me the opportunity to buy my dream: a 1964 Gent, and no one, but no one is gonna pry it out of my hands! The action, the tone, the solid construction and the beauty of this instrument is second to none. Funny thing, though...all the pictures I've been studying over the years feature a very tiny George Harrison barely getting his arms around it (crammed up into his armpit on the Sullivan show), so I thought it would be a HUGE instrument. When I finally got mine, I was amazed to see that it wasn't any wider than the Gibson ES330 that I had for a while and equally amazed how comfortable it was to play!

    Dec 14, 2007 5:40 p.m.

  9. bobcat wrote:
    I own a reissue 2006 6122-62. It is the finest guitar I have ever owned. I have a 1980 Les Paul Standard that really does not hold a candle to the lovely tone and characteristic thump and twang of my Gretsch! I grew up watching Chet play on tv and always wanted one, I am so fortunate to finally be able to achieve that great sound. The fit and finish of this guitar is as near to perfect as can be had, and the gold just pops against the dark walnut stain. I love the Grover Imperial tuners and the Bigsby works like a dream. This guitar has opened a whole new world of playing to me and I play every night when I get home from work. Love my 6122!!

    Feb 20, 2008 7:54 p.m.

  10. falcon wrote:
    Mine is a vintage 69 model. Fantastic sound and construction. Finally, "That that great Gretsch sound" I recomend!

    Mar 21, 2008 8:12 p.m.

  11. BigMarty53 wrote:
    These are wonderful guitars, if you get a good one. Gretsch was, in the old days, quirky---both with respect to the marketing and line generally, but also with respect to quality. A good vintage CG, however, is a thing to behold! I'm partial to the smaller Tennessean, but the truth is, there's nothing like a well made CG, nothing.

    May 4, 2008 4:40 p.m.

User Ratings:

Overall rating:
4 (out of 5), 8 ratings
Playability rating:
4 (out of 5), 8 ratings
Collectibility rating:
4 (out of 5), 8 ratings

Basic Country Gentleman specs:

Body Material
Maple
Scale
24&frac12;"
Binding
White/black/white on body, neck and headstock

1958:

The Country Gentleman debuted in 1958 after considerable input from Chet Atkins, who wanted Gretsch to produce a semi-hollow guitar with a solid block through the center, like Gibson's ES-335. Atkins never did get the solid block of wood down the center, but Gents do have a partial block to increase sustain and reduce feedback. The Gent was placed in the high end of the Gretsch line-up between the 6120 and Falcon in price.

Body Width
17"
Body Depth
2&frac14;"
Body Style
Single Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Brass
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece
Pickguard
Gold, with Gretsch in black

1959:

As with most mid and high-end Gretsches, a Zero Fret was new for '59.

Body Width
17"
Body Depth
2&frac14;"
Body Style
Single Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1960:

The V-cutout Bigsby debuted on the Country Gentleman in 1960, and some Gents <em>may</em> have real f-holes. This is disputed, though, with some suggesting the f-hole inlays have simply been removed over time.

Body Width
17"
Body Depth
2&frac14;"
Body Style
Single Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1961:

In 1961 the Gent went on the same diet as some other Gretsch models, slimming down to about 2" thick. Again, some guitars <em>may</em> have real f-holes, but this has not been completely verified.

Body Width
17"
Body Depth
2"
Body Style
Single Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1962:

With the changeover to the double-cutaway ElectroTone body, the Gent slimmed down further, to about 1 7/8" thick. Like all ElectroTone guitars, the Gent now had a padded back covering a large wiring harness access panel. New double mutes with red felt pads and a standby switch filled out the controls.

Body Width
17"
Body Depth
1 7/8"
Body Style
Double Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • Double String Mutes
Bridge
Tailpiece

1964:

Changes for 1964 were fairly minor: the tuners changed to "Kidney Bean" buttons, and, very late in the year, black felt pads replaced red on the double string mutes. More importantly, a SuperTron pickup was fitted in the neck position.

Body Width
17"
Body Depth
1 7/8"
Body Style
Double Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial with "Kidney Bean" buttons
Neck Pickup
SuperTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • Double String Mutes
Bridge
Bar
Tailpiece

1967:

The short-lived Country Gentleman SuperTron experiment ended in '67, when a FilterTron came back in neck position, like God and Chet Atkins intended. Double mutes gave way a single mute and a rosewood fretboard replaced ebony in cost-cutting moves, and the pickguard now read "Gretsch Country Gentleman."

Body Width
17"
Body Depth
1 7/8"
Body Style
Double Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial with "Kidney Bean" buttons
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Bar
Tailpiece
Pickguard
Gold with "Gretsch Country Gentleman" engraving

1970:

The Baldwin influence became apparent as their angular pickguard comes to the Gent. On the plus side, the ebony fretboard returned.

Body Width
17"
Body Depth
1 7/8"
Body Style
Double Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial with "Kidney Bean" buttons
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Bar
Tailpiece
Pickguard
Angular Baldwin style

1971:

In the last year for the vintage 6122 Country Gentleman (it was redesignated 7670 for 1972), the string muffler was dropped and an Adjustamatic bridge was added.

Body Width
17"
Body Depth
1 7/8"
Body Style
Double Cutaway Hollowbody
Colors
  • Mahogany
Fretboard Wood
Ebony
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover Imperial with "Kidney Bean" buttons
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
Bridge
Bar
Tailpiece