Gretsch guitars: 6120 Chet Atkins Hollowbody

Gretsch 
6120 Chet Atkins Hollowbody

The Gretsch 6120 debuted in 1954 as an instant classic. To many players, it is the definitive Gretsch.

When introduced, the 6120 cost $385 and sported a wagon­load of western decorations: cow's heads and cactus etchings in the block markers, a big G brand on the top and more. It was the first in the "Chet Atkins" line of signature Gretsch guitars.

In '58, the half-­moon or "neo­classic" markers common to most Gretsches were introduced. The DeArmond pickups were discontinued in favor of Gretsch's own "FilterTron" humbuckers. Chet Atkins said the magnets on the DeArmond's were too strong, "sucked the tone right out of the guitar", and Duane Eddy was the only person he knew who got a good tone out of them.

In 1961, the body was narrowed from almost three inches thick to about two. This was to be the last year of the classic single-­cutaway 6120.

The fake f-­hole, thinline, double cutaway Electrotone body guitar of '62 was a completely different beast than previous 6120s. The price was up to $495, which bought you the all-new body, complete with a padded back, which conveniently hid the big access hole in the back. The signpost disappeared after '62, but a standby switch and muffler appeared, so if a guitarist got bored without anything to look at, he could always twiddle his knobs.

Some confusion exists over the difference between a Nashville and Chet Atkins 6120. In a nutshell, there ain't any. The Nashville name was arbitrarily stuck on the guitar, sometime around 1964. There's no difference between the guitars. It's just a name, but it came in handy (and continues to) when Atkins pulled his endorsement. The "Nashville" moniker was pretty much standard (or at least as standard as anything ever was at Gretsch) by 1964, and it could be found on the new shiny metal headstock plate. Some 6120s also got plain plastic HiLoTron covers in 1964. There may have been a shortage of FilterTron covers.

Like most Gretsches, 6120s began changing dramatically after the Baldwin Piano and Organ company took over Gretsch in '67, and the '67 model was just about the last to have the traditional Gretsch features.

By '70 the 6120 was wearing the squared-off pickguard common to the Baldwin era. In 1972, the model designation was changed to 7660.

See Also:

Comments

  1. skinnyjim wrote:
    I've got a 1960 6120, plays great. The pickups needed raised a little closer to the strings to get the hot sound. I've played another one, very close serial numbers, and its pretty consistent with mine. Feel free to contact me to talk 6120s!

    Oct 16, 2007 10:40 p.m.

User Ratings:

Overall rating:
5 (out of 5), 1 rating
Playability rating:
5 (out of 5), 1 rating
Collectibility rating:
5 (out of 5), 1 rating

Basic Chet Atkins Hollowbody specs:

Body Material
Maple
Scale
24½"
Binding
Black and white on body, f-holes, neck and headstock

1954:

When introduced, the 6120 cost $385 and sported a wagon­load of western decorations: cow's heads and cactus etchings in the block markers,a big G brand on the top and Chet Atkins' signature on an engraved signpost on the pickguard. The original 6120 used a fixed-arm Bigsby B-6 tremolo. A jeweled and tooled matching strap was also available.

Body Width
15½"
Body Depth
2 2/3;"
Body Style
Single_Hollow
Colors
  • Sunset Orange
Fretboard Wood
Ebony
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece
Pickguard
Gold, with Gretsch and Chet Atkins signpost in black

1956:

For 1956, the 6120's Bigsby was changed to a pivoting arm type, and the western appointments began to disappear as unengraved block markers replaced the earlier "cows and cactus" style and a simple horseshoe began to replace the steer's head on headstock. 1956 6120s also used a larger truss rod cover than earlier models.

Body Width
15½"
Body Depth
2 2/3;"
Body Style
Single_Hollow
Colors
  • Sunset Orange
Fretboard Wood
Ebony
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1957:

The 1957 6120 was considerably different than any other year. Cosmetically, the G brand disappeared while humped block markers and a rosewood fretboard were new, along with a slightly larger and thicker body. The Bigsby was now nickel-plated , and G-arrow knobs replaced the earlier styles. The 1957 models also tend to be a litttle redder than other years. Note that humped block markers actually began in late '56, while the G-brand didn't disappear until some time in 1957, so there is overlap. Also, late '57 6120s were often fitted with bar bridges.

Body Width
16"
Body Depth
2¾"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
DeArmond Dynasonic
Bridge Pickup
DeArmond Dynasonic
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Master Tone (knob)
  • Pickup selector switch
Bridge
Tailpiece

1958:

The 6120 got a full complement of new-for'58 features as FilterTrons, neo-classic fret markers, a bar bridge and tone switch. The headstock also became slightly smaller.

Body Width
16"
Body Depth
2¾"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Neo-Classic
Nut
Brass
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Bar
Tailpiece
Bigsby B-6

1959:

For 1959, the biggest visual change to the 6120 were a Zero Fret and bone nut combination replacing the earlier brass nut. Under the hood, '59s got a lighter trestle bracing system.

Body Width
16"
Body Depth
2¾"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Neo-Classic
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Applied For" FilterTron
Bridge Pickup
"Patent Applied For" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Bar
Tailpiece
Bigsby B-6 (V-cutout)

1961:

In another transitional year, for 1961 the 6120 slimmed down to about 2 1/4" thick in preparation for the twin-cutaway ElectroTone body, which was introduced mid-year.

Body Width
16"
Body Depth
2¼"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Tailpiece

1962:

In the first full year of the twin-cutaway ElectroTone body, the 6120 now featured fake f-holes, a padded back covering up a large access panel (which in turn covered up an all-new wiring harness). A standby switch was a new feature, along with string mufflers, and the B-6 whammy was now a V-Cutout type. With the ElectroTone body the last of the western appointments went away, as the signpost disappeared from the pickguard. Note: Some 1962 models may have been fitted with Van Ghent tuners.

Body Width
16"
Body Depth
2"
Body Style
Double_Hollow
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Tailpiece
Pickguard
Gold, Gretsch and Chet Atkins signature only. No signpost.

1964:

In 1964, the "Chet Atkins" designation began to be replaced by the "Nashville" name, and the horseshoe on headstock was replaced mid-year with square metal plate reading "Nashville". Other changes include the back padding changin from cloth or leather to vinyl, and some 6120s appearing with HiLoTron pickup surrounds on FilterTron pickups for a brief period.

Body Width
16"
Body Depth
2"
Body Style
Double Cutaway Solidbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
  • Standby Switch
  • String Mute
Bridge
Tailpiece

1960:

The 6120 body thinned to about 2½" in 1960. Some late '59 models may have been fitted with the thinner body.

Body Width
15½"
Body Depth
2½"
Body Style
Single Cutaway Hollowbody
Colors
  • Sunset Orange
Fretboard Wood
Rosewood
Fretboard Markers
Neo-Classic
Nut
Zero Fret/Bone
Tuners
Grover StaTite
Neck Pickup
"Patent Number" FilterTron
Bridge Pickup
"Patent Number" FilterTron
Controls
  • Master Volume
  • Neck pickup volume
  • Bridge pickup volume
  • Pickup selector switch
  • Tone Switch
Bridge
Bar
Tailpiece
Bigsby B-6